| 1 | Setembro (Brazilian Wedding Song) - Take 6, Sarah Vaughan |
| 2 | Secret Garden (Sweet Seduction Suite) - El DeBarge, Siedah Garrett, James Ingram, Quincy Jones, Al B. Sure!, Barry White |
| 3 | I'm Yours - El DeBarge, Siedah Garrett |
| 4 | Baby, Come to Me - Patti Austin, James Ingram |
| 5 | You Put a Move on My Heart - Tamia |
| 6 | Velas - Toots Thielemans |
| 7 | Moody's Mood for Love - Rachelle Ferrell, Brian McKnight, James Moody, Take 6 |
| 8 | Liberian Girl - Michael Jackson |
| 9 | Love Dance - George Benson |
| 10 | One Hundred Ways - James Ingram |
| 11 | Rock with You - Brandy, Heavy D & the Boyz |
| 12 | Lady in My Life - Michael Jackson, Quincy Jones |
| 13 | Shadow of Your Smile (Love Theme from the Sandpiper) [Live] - Count Basie Orchestra, Frank Sinatra |
| 14 | How Do You Keep the Music Playing? - Patti Austin, James Ingram |
| 15 | Something I Cannot Have |
| 16 | Human Nature - Michael Jackson |
| 17 | Everything Must Change - Bernard Ighner |
| 18 | I'm Gonna Miss You in the Morning - Patti Austin, Luther Vandross |
| 19 | Everything - Tevin Campbell |
| 20 | Just Once - James Ingram |
| 21 | If This Time Is the Last Time - Patti Austin |
| 22 | Somewhere - Aretha Franklin |
| 23 | Heaven's Girl - Aaron Hall, Ronald Isley, Quincy Jones, R. Kelly, Charlie Wilson |
| 24 | Prelude to the Garden - Quincy Jones |
| 25 | Sax in the Garden - Kirk Whalum, Barry White |
| 26 | At the End of the Day (Grace) - Quincy Jones, Toots Thielemans, Mervyn Warren, Barry White |
As arranger, composer, and producer, Quincy Jones has helped shape American popular music in a unique way--growing and changing with it, interacting with and recombining its elements--from his beginnings in jazz in the 1950s to his extraordinary successes in r&b in recent decades. Much of that achievement is touched on in the love songs of this 2-CD set, beginning with his early jazz work with Sarah Vaughan and the great Frank Sinatra-Count Basie collaboration on "The Shadow of Your Smile." Perhaps more than anyone else, Jones has been responsible for the contemporary shape of r&b, smoothing out its rough edges and focusing a song with complex, innovative production that has a pulsing undercurrent all its own. As this collection so ably demonstrates, Jones is as at home with jazz singer Rachelle Farrell in a recasting of "Moody's Mood for Love" as he is lending his special skills to soulful singers like Patti Austin and James Ingram. --Adam Rains
