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From The Plantation To The Penitentiary
"We running all over the world with a blunderbuss/And the Constitution all but forgot in the fuss," Wynton Marsalis declaims on "Where Y'All At?"--the raucous theatrical finale to From the Plantation to the Penitentiary. As unusual as it may be for the celebrated trumpeter to present himself as a kind of soap box rapper, underwhelmingly taking aim at "supercapitalists," liberals, and rappers alike, the most notable departure here is his prominent feature of a vocalist, young Jennifer Sanon. A winner of the Essentially Ellington high school competition, she has real appeal and is smart, silky-toned, and calmly assured beyond her 21 years. The influence of the mighty Abbey Lincoln is felt in both the directness of her delivery and the soulful expansiveness of the music, performed by a quintet. Though Marsalis gets his time in the spotlight, playing with brittle strength as well as his customary warmth, he is generous in shining a spotlight on his bandmates, including a pair of talented up-and-comers in pianist Dan Nimmer and bassist Carlos Henriquez, drummer Ali Jackson, Jr. and saxophonist Walter Blanding, who, 15 years after being introduced on the "Tough Young Tenors" album and in spite of his stellar contributions to Marsalis' Lincoln Center Jazz Orchestra, doesn't get the attention he should. --Lloyd Sachs
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Tracks| 1 | From the Plantation to the Penitentiary | | 2 | Find Me | | 3 | Doin' (Y)our Thing | | 4 | Love and Broken Hearts | | 5 | Supercapitalism | | 6 | These Are Those Soulful Days | | 7 | Where Y'all At? |
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