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Cesaria
Cesaria Evora, a Cape Verdean with a rich alto voice, has been described as a cross between Edith Piaf and Billie Holiday. It wasn't until 1988, though, that Evora traveled to Paris to record. Her fourth album, 1992's Miss Perfumado, made her a major star in France and Portugal. Her 1994 album, Cesaria Evora, duplicated that triumph, and it's this latter recording that has become her first U.S. release. Evora, celebrated in Europe as the "Barefoot Diva," is now 52, but she is still able to give every word a breathy intimacy even as she fills it with a pitch-perfect, full-toned resonance. Drawing on the work of top Cape Verdean songwriters Nando Da Cruz, Amandio Cabral, and Manuel De Novas, she sings in Criuolo, a Creole variation of Portuguese. As in Brazil, another former Portuguese colony with a strong African influence, Cape Verde has produced a music that is light and airy even as it incorporates African rhythms and quartertones. The morna possesses the low-key tunefulness of an equatorial cabaret music, but Evora's vocals impart a world-weary gravity to these tales of homesickness and doomed love. --Geoffrey Himes
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Tracks| 1 | Petit Pays | | 2 | Xandinha | | 3 | Tudo Tem Se Limite | | 4 | Consedjo | | 5 | D 'nhirim Reforma | | 6 | Rotcha 'Scribida | | 7 | Oriundina | | 8 | Tudo Dia E Dia | | 9 | Nha Cancera Ka Tem Medida | | 10 | Areia De Salamansa | | 11 | Flor Na Paul | | 12 | Doce Guerra |
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