| 1 | Clocks (alternate version) |
| 2 | The Angels Rejoiced Last Night (Gram Parsons) |
| 3 | The Old Country Baptizing (Gram Parsons & The Fallen Angels) |
| 4 | Coats of Many Colors |
| 5 | For No One |
| 6 | Ooh Las Vegas |
| 7 | Satan's Jewel Crown |
| 8 | Tulsa Queen |
| 9 | My Songbird |
| 10 | Green Rolling Hills |
| 11 | One Paper Kid with Willie Nelson |
| 12 | Sorrow In The Wind |
| 13 | Rough And Rocky |
| 14 | Jordan |
| 15 | Darkets Hour Is Just Before Dawn |
| 16 | Ashes by Now |
| 17 | How High The Moon |
| 18 | Spanish Johnny with Waylon Jennings |
| 19 | The Lst Cheaters Waltz |
| 20 | Racing In The Streets |
| 21 | Like An Old Fashioned Waltz |
| 22 | The Sweethearts of the Rodeo with Dolly Parton, Linda Ronstadt, Vince Gill & Gail Davies |
| 23 | When I Was Yours |
| 24 | My Fathers House |
| 25 | Bright Morning Stars |
| 26 | When He Calls |
| 27 | Lonely Street |
| 28 | Brand New Dance |
| 29 | Get Up John |
| 30 | If I Could Be There |
| 31 | Ballad Of A Runaway House |
| 32 | Going Back To Harlan |
| 33 | Sweet Old World |
| 34 | All My Tears (Live) |
| 35 | Prayer In Open D (Live) |
| 36 | Bang The Drum Slowly |
| 37 | Boy From Tupelo |
| 38 | Lost Unto This World |
| 39 | Man Is An Island |
| 40 | Cup Of Kindness |
| 41 | Falling In a Deep Hole |
| 42 | 1917 (Linda Ronstadt & Emmylou Harris) |
| 43 | Palms of Victory (Dolly Parton, Linda Ronstadt, & Emmylou Harris) |
| 44 | Softy and Tenderly (Dolly Parton, Linda Ronstadt & Emmylou Harris) |
| 45 | My Dear Companion (Dolly Parton, Linda Ronstatt & Emmylou Harris) |
| 46 | Mary Danced with Soldiers (Nitty Gritty Dirt Band) |
| 47 | I Don't ove You Much Do I (Guy Clark) |
| 48 | All I Left Behind |
| 49 | I Remember You (Steve Earle) |
| 50 | Golden Ring with Linda Ronstadt and Anna & Kate McGarrigle |
| 51 | Sonny (Emmylou Harris, Dolores Keanes, Mary Black) |
| 52 | In The Garden |
| 53 | Love Still Remains |
| 54 | Snake Song |
| 55 | Hobo's Lullaby |
| 56 | Wondering |
| 57 | Immigrant Eyes |
| 58 | Juanita (Sheryl Crow & Emmylow Harris) |
| 59 | She (Pretenders & Emmylou Harris) |
| 60 | Sin City (Beck & Emmylou Harris) |
| 61 | Wheels (The Seldom Scene) |
| 62 | Beyond The Blue (Emmylou Harris & Patty Griffin) |
| 63 | First In Line (Emmylou Harris & John Starling) |
| 64 | Highway of Heartache |
| 65 | ALone And Forsaken (Emmylou Harris and Mark Knopfler) |
| 66 | Child of Mine |
| 67 | Heaven Ain't Ready For You Yet |
| 68 | Wish We Were Back In Missouri |
| 69 | Mama's Hungry Eyes with Rodney Crowell |
| 70 | Here We Are (George Jones & Emmylou Harris) |
| 71 | Waltz Across Texas Tonight |
| 72 | Snowin' On Raton |
| 73 | Gone |
| 74 | Don't Let Our Love Die |
| 75 | The Pearl (Live) |
| 76 | Wildwood Flower (Randy Scruggs with Emmylou Harris & Iris DeMent) |
| 77 | Love And Happiness (Mark Knopfler & Emmylou Harris) |
| 78 | When We're Gone, Long Gone (Emmylou Harris, Linda Ronstadt, Dolly Parton) |
Emmylou Harris, godmother of the Americana movement, is a phenomenon for any number of reasons, one of which is that she has has managed to conduct more than four decades of her remarkable career without a single misstep. While Harris has always been committed to honoring the roots of old-school, traditional country, she also expanded the music beyond its conservative lyrics and narrow melodic structures without abandoning its core themes of enduring love, family, and prideful sense of place. Throughout, she interpreted and wrote songs of integrity and emotional depth and resonance, surrounding her keening soprano with a Who's Who of players and collaborators, including Rodney Crowell, the McGarrigle Sisters, Dolly Parton, Linda Ronstadt, Daniel Lanois, and Mark Knopfler. This unusual 4-CD compilation isn't a greatest-hits package, but rather a gathering of Harris's personal favorites, most of which have never appeared on other collections. Some of the most compelling tracks are special collaborations ("Jordan," with Willie Nelson and Johnny Cash), previously unreleased live, studio, and demo tracks (the folky "Falling in a Deep Hole," circa 1970), and contributions to tribute projects (Townes Van Zandt's chilling "Snake Song"). Harris's reedy voice is one of the most empathetic instruments in all of popular music, and perhaps no other female performer of the genre has been able to capture the desperate, paralyzing sense of longing and loneliness as well as this greatly revered singer. That may be a red flag of warning for the Prozac generation, but this deeply satisfying set stands as a benchmark of 40 years of artistry, as well as an uncommonly soulful illumination of the human condition. --Alanna Nash
