 | Buenas Noches from a Lonely Room Yoakam's third album finds him more daring in his incorporation of Creedence-style rock guitar fills--Pete Anderson, take a bow--and Tex-Mex polka into... more |
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 | If There Was a Way Dwight Yoakam's fourth studio album was his most muscular yet. Alongside the overtly rocking cuts, his honky-tonkers also kicked harder than anywhere in... more |
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 | Hillbilly Deluxe Yoakam was coming off a platinum debut album with a wiseass title (Guitars, Cadillacs, Etc. Etc.) when he released Hillbilly Deluxe. Neither... more |
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 | Dwight Sings Buck Of course, you're thinking, when did Dwight not sing Buck? A fine question, since Yoakam built much of his vocal style around that of the late... more |
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 | Blame the Vain Dwight Yoakam occupies a singular position in contemporary country. No artist has better balanced mainstream commercial success with artistic, alt-country... more |
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 | The Very Best of Dwight Yoakam Moving to Los Angeles after an unproductive stint in Nashville, Kentucky-born Dwight Yoakam made a name for himself by reviving the more robust honky-tonk... more |
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 | Dwight's Used Records In what could almost have been the fifth disc of his box set, Yoakam pairs three previously unreleased recordings with 11 collaborations, tribute-album... more |
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 | dwightyoakamacoustic.net Over the course of his career, Dwight Yoakam has both relished and leveraged his "outsider" image. From his earliest days sharing stages with Los Angeles... more |
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 | Tomorrow's Sounds Today Though Dwight Yoakam is tagged with a well-deserved (and in his case complimentary) "outsider" label, he is, ironically, one of country music's most accessible... more |
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 | Last Chance for a Thousand Years: Dwight Yoakam's Greatest Hits from the 90's All those folks who contemptuously dismiss today's mainstream country and wish they could have been around for the heyday of Lefty Frizzell and Buck Owens... more |
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 | A Long Way Home In the vein of 1995's Gone, Dwight Yoakam continues to argue for an alternative-country future. Expanding his retro Bakersfield sound with significant... more |
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 | Under the Covers A rather mediocre and often puzzling outing for the multitalented Mr. Yoakam. While the idea of Under the Covers--Dwight trying his hand at songs... more |
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 | Gone With utter assurance and several shots of sly humor, Dwight Yoakam moved into his second decade of recording with Gone, his most daring album to... more |
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 | This Time Cover art, front: a behatted (of course) Dwight, face completely hidden. Back: a shapely, half-nude model sporting a Persistence of Memory-style... more |
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 | Guitars, Cadillacs, Etc., Etc. Both the introduction to hard country for a generation of college kids and a key entry in what became the neotraditionalist movement, Dwight Yoakam's debut... more |
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