Albrecht Dürer Videos
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 | Albrecht Durer The awe inspiring works of Albrecht Durer along with renaissance chant. |
 | ALBRECHT DÜRER: ALPHA AND OMEGA SummaryALBRECHT DÜRER (1471-1528) = ALPHA and CARL HUTER (1861-1912) = OMEGA. ALBRECHT DÜRERS ?VIER BÜCHER" WAREN DER ANFGANG DER KUNSTPHYSIO-GNOMIK. CARL HUTERS MENSCHENKENNTNIS IN FÜNF LEHRBRIEFEN IST DIE VOLLENDUNG ALBRECHT DÜRERS BEMÜHUNGEN UM WAHRE SCHÖNHEIT IM MENSCHEN.DIESE VOLLENDUNG WAR ERST 400 JAHRE NACH DER ZEIT VON ALBRECHT DÜRER MÖGLICH, DA PRIVAT-GELEHRTER CARL HUTER AUS NORDDEUTSCHLAND ENDE DES NEUNZEHNTEN JAHRHUNDERTS UND ANFANG DES ZWANZIGSTEN JAHRHUNDERTS ÜBER ENTSPRECHENDE WISSENSCHAFTLICHE KENNTNISSE VERFÜGEN KONNTE, DIE ZUR ZEIT ALBRECHT DÜRERS NOCH UNBEKANNT WAREN. (Stichwort Zellenkenntnis).Aus Elementen ganz verschiedener Werke wurden Landschafts-Collagen geschaffen, durch die der Besucher Dürer auf seinem Lebensweg begleitet.Die vier Apostel, MÜNCHEN (2 Tafeln). Die vier Apostel, LEMPERTZ (1 Tafel). Erst seit einigen Jahren ist diese eine Tafel (LEMPERTZ) öffentlich bekannt. Diese eine Tafel, DIE VIER APOSTEL, befand sich Jahrhunderte zuvor im Privatbesitz unter Ausschluß der Öffentlichkeit. DIE VIER APOSTEL, LEMPERTZ, offenbart DÜRERs Kenntnisse ver-borgener Geometrie. Erst in der Zusammenschau von DIE VIER APOSTEL, MÜNCHEN, und DIE VIER APOSTEL, LEMPERTZ OFFENBART SICH DAS WAHRE VERMÄCHTNIS VON ALBRECHT DÜRER AN DIE NACHWELT. Erst in der Zusammenschau über 4 Jahrhunderte, DIE VIER BÜCHER (Proportionsstudien von Albrecht Dürer) und MENSCHENKENNTNIS vom Privatgelehrten Carl Huter (1861-1912), welches dieser in fünf Lehrbriefen 1904 bis 1906 erstmals herausgegeben hat, offenbart sich das WAHRE VERMÄCHTNIS VON ALBRECHT DÜRER FÜR DIE NACHWELT.THE FOUR ELEMENTS -- ALBRECHTS DURER´S MEISTER-STICHEThree particular engravings stand out from Albrecht Durer's vast opus of engravings. They differ from others in style and technique, especially the latter is brought to perfection: they are very precisely engraved, with full focus on details, skin shade, atmosphere. Art historians usually call these the engravings - Knight, Death, and Devil, St. Jerome in His Study, and most famous Melencolia I - as Meisterstiche, "masterworks".Unfortunately, traditional "scientific" research, will not reveal all the subtle planes in which Albrecht Durer enjoyed so much, skillfully like a child juggling with meanings converting one into another. On the most abstract level of symbolism are all three engravings sequels in a continuous story about the basic energies of which the universe is made, compounded. FIRE, AIR, and WATER are the building blocks of the universe since time eternal. There is also the fourth element, EARTH, added to the triad in order to make it manifest. Curiously, there is only one engraving in Durer's opus that bears a strange resemblance to the excellent technique used for the master-works - , dated in 1504, ten years before. But we will try to prove that Durer used these datings only for his own purposes and they do not reveal the real date when the engravings were executed. The element Earth naturally completes the four elements, and since this is a story of how a mortal being ascended towards the Godhead, we have to start from a gross substance of Earth.The first engraving is therefore The Fall of Man, attributed to the element EARTH. Here, in paradise that is in fact on earth, the story of the "ascent" begins. It shows only the lower part of a Biblical Tree of Life, a symbol of the beginning of the path of initiation. Adam and Eve are the protagonists of the fictive primordial "crime", which is a fundamental trauma that generates the whole story. We must not forget the importance of the snake, the prime mover. Humanity is expelled from the blissful ignorance, and the investigation must be undertaken to find the solution to this mis(t)ery. On the extreme right edge of the composition are all three Zodiacal signs that fall under element EARTH depicted: Capricornus, Taurus, and Virgo.The second in a row comes knight, death and devil, showing metaphorically Perceval on the way to find the Holy Grail, accompanied by the faithful guide - a longhaired retriever. The hero from the engraving - as we will learn later -- was burnt on stake, and this engraving is related to the element FIRE. Unlike in eden, time (Death) and desire (Devil) are introduced in the human cosmos. If this story is to be believed, Durer suggests that both dimensions can be transcended with Will, which is traditionally attributed to FIRE. Qabalisticaly these three persons represent the three paths to the Inner Sanctuary (Nun, Samekh, and Ayin), which is Tiphareth, the sixth sphere of the Tree of Life. |
 | Bayreuth - Onlinefahrt Königsallee bis Albrecht-Dürer-Str. Onlinefahrten durch BayreuthKönigsallee bis Albrecht-Dürer-Str. Juli 06Weitere Fahrten finden Sie auf www.lebwohl.de |
 | Albrecht Dürer & Football A parody of a part of the German episode of Monty Python's Flying Circus...(self-made video, in German) |
 | ALBRECHT DUERER 1471 -1528 - Ein Wendepunkt abendlaendischer Malerei. In seiner Heimat - Nuernberg - wurde er beim Vater ueber das Goldschmiedehandwerk zum Kuenstler. Er schuf die ersten Aquarelle europaeischer Kunst und den Kupferstich. Eines seiner wohl beruehmtesten Werke wurde der Meisterstich "Ritter Tod und Teufel"... |
 | Ode to Albrecht Durer Here is a little compo I made on the refrigerator--kind of stream of consciousness. Don't ask me to explain the bungee cord or the Vampire Baby! |
 | Sculptures by Francois Pompom, Edgar Degas, Albrecht Dürer Visit www.BuySculpture.comfor more Contemporary Sculpturesby Modern European Artists |
 | Albrecht Dürer arts of Albrecht DürerThe final artwork, "Melencolia I" has been subject to many interpretations over the ages, and inspired a poem by Edward Dowden-THE bow of promise, this lost flaring star, Terror and hope are in mid-heaven; but She, The mighty-wing'd crown'd Lady Melancholy, Heeds not. O to what vision'd goal afar Does her thought bear those steadfast eyes which are A torch in darkness? There nor shore nor sea, Nor ebbing Time vexes Eternity, Where that lone thought outsoars the mortal bar. Tools of the brain--the globe, the cube--no more She deals with; in her hand the compass stays; Nor those, industrious genius, of her lore Student and scribe, thou gravest of the fays, Expect this secret to enlarge thy store; She moves through incommunicable ways |
 | Albrecht Dürer e il suo tempo and his time Albrecht Dürer (Norimberga, 21 maggio 1471 -- Norimberga, 6 aprile 1528) è stato un pittore, incisore, matematico e xilografo tedesco. Figlio di un ungherese, viene considerato il massimo esponente della pittura tedesca rinascimentale.Albrecht Dürer, terzogenito di 18 figli, nacque il 21 maggio 1471 a Norimberga dall'omonimo orefice e da sua moglie Barbara. Il padre era originario dell'Ungheria; all'età di 40 anni aveva sposato a Norimberga la figlia appena quindicenne del suo maestro Holper. Fin da ragazzo si rivelò dotato di talento e fu preso quindi come praticante nella bottega del padre.La prima testimonianza del suo eccezionale talento è l'autoritratto del 1484, un disegno conservato all'Albertina di Vienna. Quest'opera, che fu realizzata davanti allo specchio quando Dürer aveva solo tredici anni, non è certo priva di errori. Il dito troppo lungo con cui l'artista indica la propria immagine riflessa, o la mano nascosta che regge lo stilo, come pure gli occhi, che non hanno uno sguardo reale, provano la goffaggine del principiante. Eppure, questa giovanile rappresentazione di sé è piena di fascino; ed è per giunta il primo autoritratto dell'arte europea che si presenti come autonomo, cioè come opera a sé stante.Questo autoritratto, che era stato preceduto da tentativi disegnativi di cui si hanno testimonianze certe, già indica peraltro la direzione essenziale della sucessiva produzione di Dürer: l'attività di ritrattista. È un fatto ancora troppo poco tenuto in considerazione: non solo Dürer ha dipinto, disegnato e inciso numerosi ritratti fino agli ultimi anni della sua vita, ma fin dall'inizio del secondo decennio del XVI secolo anche i suoi quadri religiosi presentano in misura sempre crescente un carattere ritrattistico.All'età di sedici anni, quando aveva appena concluso il tirocinio, dichiarò al padre che avrebbe preferito diventare pittore. Poiché non fu possibile fargli fare il praticantato nella lontana Colmar, presso Martin Schongauer (conosciuto e stimato in tutta Europa come pittore e incisore in rame), il padre lo mise a bottega a due passi da casa, presso Michael Wolgemut e Wilhelm Pleydenwurff. |
 | M10 Albrecht Dürer Abschluss 2oo8 |
